Angle Noir 1956

Guido Molinari's "Angle Noir" (1956) is a striking example of geometric abstraction. This black and white painting, composed of simple shapes against a white background, explores the interplay of form and negative space, drawing the viewer's eye to the dynamic relationship between the black rectangles. The bold and stark composition speaks to the minimal and conceptual art movements that were gaining momentum in the mid-20th century, highlighting the artist's focus on pure visual language.