Vrijstaand grafmonument voor een man, met twee wildemannen 1563
print, engraving, architecture
narrative-art
figuration
coloured pencil
northern-renaissance
engraving
architecture
Dimensions height 167 mm, width 209 mm
Curator: At first glance, the elaborate design of the tomb radiates nobility, and solemn beauty. Editor: And the strangeness. We're looking at a 1563 engraving titled "Vrijstaand grafmonument voor een man, met twee wildemannen," created by Johannes or Lucas van Doetechum. It's a free-standing tomb monument featuring two wildmen, now residing at the Rijksmuseum. But beyond that elaborate description, there is an overwhelming presence. What exactly stands out? Curator: For me, it's the almost theatrical grandeur. A raised tomb with a sculpture of the deceased. Figures that appear both sorrowful and celebratory. The presence of these "wildmen" is intriguing. What's their role here, as symbolic guardians perhaps? Editor: Exactly! Wildmen, or "wild people," are recurring figures in European art and folklore. They often represent the untamed, primal aspects of humanity. Think of them as a visual bridge between civilization and nature, mortality and the afterlife. Curator: Fascinating. So they're protectors, representing primal strength and endurance. But then why include such untamed figures alongside such formal Renaissance elements? It’s a really intense juxtaposition. Editor: The Renaissance was obsessed with both classical order and the mysteries of the natural world. Placing wildmen next to symbols of high society creates a powerful visual tension. The architecture feels so stable but teems with smaller creatures climbing around as if they want to reclaim it. What's really unnerving, and brilliant, is how it's all packaged into such a formal commemoration of loss. Curator: This engraving almost acts as a miniature stage for grief, memory, and the struggle to reconcile ourselves to life and death. The overall effect is strangely affecting. It lingers with you in the mind. Editor: It's a potent reminder that even within the most elaborate attempts to control and commemorate, the wild, untamed aspects of life, and death, are always present. The print certainly does invite deep reflection.
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