Maria met Kind en engelen 1605 - 1609

Jacob Matham rendered this image of Maria and Child with angels in the late 16th or early 17th century using engraving techniques. The visual heart of this piece lies in the tender portrayal of the Madonna and Child, surrounded by celestial beings. This evokes a sense of divine protection and grace. The presence of angels, some playing music, amplifies the sanctity of the moment. The theme of the Madonna and Child has deep roots, echoing ancient images of mother goddesses. Think of Isis cradling Horus, a similar symbol of nurturing and divine power. The lullaby played by one of the angels is like the ancient hymn, resonating with hopes for salvation. Such motifs recur across cultures, adapting to new spiritual landscapes yet retaining a primal emotional resonance. Consider how this depiction, laden with religious significance, might also touch upon universal human experiences. The Madonna's gentle gaze and protective embrace evoke feelings of comfort and security, engaging us on a subconscious level. This cyclical recurrence embodies the potent, timeless nature of visual symbols.