Karikatuur van een aanbidder die te vroeg op zijn afspraak komt 1838 - 1840

This is Frédéric Bouchot’s ‘Caricature of an admirer who arrives too early for his appointment’, made in the 19th century using lithography, a printmaking technique. Lithography relies on the immiscibility of grease and water. The design is drawn on a flat stone or metal plate with a greasy crayon, then treated with chemicals so that only the drawn areas attract ink. The resulting print captures subtle tonal variations and textures, seen here in the intricate lines defining the figures’ clothing, and their expressions. Notice how Bouchot employs this technique to critique social norms. The crisp lines and stark contrasts highlight the awkward encounter, emphasizing the discomfort of the situation. The precision of the lithographic process allows for detailed rendering of clothing and facial expressions, revealing the social status and emotional states of the figures. Ultimately, Bouchot uses lithography not just as a means of reproduction, but as a tool for social commentary, blurring the lines between artistic expression and social critique.