Canto XIII. The Second Cornice / The Envious; The Whip of Envy c. 15th century

Editor: Here we have "Canto XIII. The Second Cornice / The Envious; The Whip of Envy," an engraving by an anonymous artist housed in the Harvard Art Museums. The stark black and white imagery really creates a sense of somber reflection. What do you see in this piece? Curator: The composition is indeed striking. Observe the figures, their postures conveying a sense of penance. The linear quality of the engraving emphasizes the architectural elements and the barren landscape. Semiotically, the absence of color directs our attention to form and line. Editor: The figures almost seem trapped within the frame, mirroring the concept of being stuck in purgatory. Curator: Precisely. The work's power lies in its ability to visually represent abstract concepts like spiritual cleansing and moral struggle. The starkness amplifies the emotional weight. Do you agree? Editor: Absolutely. Looking at the piece with those elements in mind adds a lot of meaning. Curator: Indeed, engaging with the visual and structural components enriches our understanding.