Visitekaartje van heliografische drukkerij Ducourtioux & Huillard te Parijs by Anonymous

Visitekaartje van heliografische drukkerij Ducourtioux & Huillard te Parijs 1866 - 1918

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drawing, graphic-art, lithograph, print, etching

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drawing

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graphic-art

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lithograph

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print

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etching

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genre-painting

Dimensions: height 133 mm, width 91 mm

Copyright: Rijks Museum: Open Domain

Curator: So, we're looking at a "Visitekaartje van heliografische drukkerij Ducourtioux & Huillard te Parijs," dating roughly from 1866 to 1918. It's unsigned but rendered using a combination of etching, lithography and other graphic art techniques. Editor: It feels so…intimate. A glimpse into a busy Parisian studio, perhaps on a drizzly afternoon. There’s a casual, almost unposed quality to it. The details of dress, furniture allude to specific societal frameworks too. Curator: Absolutely. And a business card, first and foremost, is a carefully curated performance for future clientele. The image demonstrates the studio's expertise. Note the "Heliogravure" label at the bottom, underscoring a specific, sophisticated process. It's an etching intended to look photographic. Editor: That word "Heliogravure" just sings with artistry! A printing studio showcasing themselves at work... It feels like an ancestor to our modern-day Instagram "behind-the-scenes" moments. Curator: Yes, in a way. Consider the act of circulation. A card implies an exchange, a network. Its worth looking at the history of printing, graphic reproduction and commercial imagery here in relation to labor value and distribution too. The proliferation of such images surely altered the status of artists and art itself, and enabled commercialization in new ways. Editor: Ah, but let's not lose sight of the people within! The seated gentleman’s gaze is so focused. You can almost hear the scratching of his pen and envision the inky process of creating, maybe his business partner beside him at the counter. They all become part of an evolving dance of consumerism in culture. It's like they’re suspended there, caught between the artistry and the hustle. Curator: Indeed. Seeing this tiny tableau provides great insight into a slice of the 19th-century cultural economy. Editor: It really does—it manages to feel both deeply historical and oddly relatable. I will see art when I see a commercial business. Art changes society!

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