Radio Flyer by Bo Bartlett

Radio Flyer 2012

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painting, oil-paint

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portrait

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figurative

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contemporary

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painting

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oil-paint

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figuration

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oil painting

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genre-painting

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portrait art

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realism

Curator: Bo Bartlett’s 2012 painting, "Radio Flyer," is a captivating scene rendered in oil on canvas. It immediately strikes me with its careful composition; the red of the wagon, pulled by a figure largely out of frame, sharply contrasts with the muted earth tones of the landscape. Editor: The figure is positioned as "other" while the young girl in the wagon appears passively present. What narratives can be decoded from this work regarding visibility, absence, and gender roles in a pictorial space that mirrors so many oppressive power dynamics? Curator: Indeed, Bartlett masterfully balances light and shadow to draw the eye directly to the girl in the wagon. The impasto technique brings the iconic red wagon forward, literally and figuratively, adding depth to this otherwise smoothly finished work. Semiotically, it is her gaze and not her positioning that holds agency. Editor: Agreed; yet in what ways does it interrogate and/or disrupt societal perceptions regarding the cultural and sociopolitical context surrounding representations of idealized Americana? Or consider a deeper psychoanalytic read... Curator: It invites many layered readings, wouldn't you say? From the brushstrokes to the subdued palette contrasted with bold red, the execution mirrors an intriguing tension. This adds complexity to Bartlett’s style and invites the viewer to ponder not just *what* is being represented, but *how.* Editor: It is necessary, however, to push past an aesthetics-driven reading that considers primarily its painterly qualities—to recognize also its potentially problematic implications and inherent assumptions about a world free from difference. How do these works engage critically with—or inadvertently reinforce—structures of dominance and marginalization? Curator: That tension—between what we *see* immediately and the layers beneath, offers something for every viewer to discover. Thanks for your perspective; I appreciate it! Editor: And I value yours, in highlighting not just the content of this work, but a fuller context to ignite richer dialogues for us to engage with and understand moving forward.

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