Conus vexillum shell from the wreck of the Dutch East India ship Witte Leeuw by niet van toepassing

Conus vexillum shell from the wreck of the Dutch East India ship Witte Leeuw before 1613

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circular oval feature

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3d printed part

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appetizing

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food illustration

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stoneware

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ceramic

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watercolour bleed

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watercolour illustration

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product photography

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nature closeup

Dimensions height 10.0 cm, width 5.8 cm, depth 5.6 cm

Editor: This is the Conus vexillum shell, dating back to before 1613. It's currently held at the Rijksmuseum and originates from the wreck of the Dutch East India ship Witte Leeuw. What a find! I am fascinated that such an everyday object for its time ended up in the halls of one of the largest museums in the world. How should we look at this piece today? Curator: Precisely! Considering its presence in the Rijksmuseum, it transcends being merely a shell. It's become a powerful artifact, really. Recovered from the Witte Leeuw, lost in 1613, this object embodies the rise of Dutch maritime power and its global ambitions. The display of something as mundane as a shell underscores how museums elevate objects into symbols of historical narratives. How might the interpretation shift if this was still on a beach in Southeast Asia versus showcased here? Editor: It's a good point. In its original environment, its worth depends on how common it is, how edible, and maybe its market value for decorations. It's interesting how institutions assign value. But it begs the question, shouldn’t this rightfully be displayed in Jakarta, where the Witte Leeuw sunk? Curator: That's a complex ethical question. The display also highlights issues of cultural ownership and the legacy of colonialism. Museums often become repositories of contested histories. This shell isn’t just about natural history; it’s about the politics of collecting, trade, and power. Should its origin location play a crucial role in where it can be appreciated? Editor: It completely reframes the shell, highlighting institutional influence on art and society. Thanks for sharing the socio-historical context, it sheds an entirely new light. Curator: It was my pleasure. This was really insightful! I’ve thought more critically about its significance, considering where we are now in relation to historical and ethical issues of ownership and collecting.

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