Fish Pitcher c. 1938

Editor: Here we have Edward L. Loper’s "Fish Pitcher," circa 1938, created using watercolor. I am immediately drawn to the almost fantastical treatment of an everyday object. What stylistic elements do you find most striking about this watercolor? Curator: Indeed, the synthesis of the quotidian and the whimsical is quite compelling. I observe that Loper's manipulation of form and color plays a crucial role. Note the rendering of the scales: each subtly gradated, suggesting volume and texture, but flattened within the two-dimensional plane. The tension created by the limited color palette and intricate detail invites prolonged viewing. Would you agree that the artist invites us to consider formal components like color, shape, line, and space to construct its meaning? Editor: I do agree; it seems the choice of color helps to unify and create space, even on this flat surface. Is it typical to examine the technical skills to see the message? Curator: Precisely. The meticulous hatching and cross-hatching to construct shadows is vital, too. It suggests depth while simultaneously highlighting the inherent flatness of the medium. The fish form is present, and it’s obviously a pitcher, but the rendering moves it beyond simple representation, elevating it to the realm of formal experimentation. Loper seems more interested in pushing the limits of his medium, watercolor, by attempting to realize a real pitcher’s features within it. Editor: This has expanded my appreciation for the piece. The composition draws my attention to the beauty in rendering and challenges my expectations about watercolor as a medium. Curator: Mine as well. Through the piece’s design we realize the artist seems most curious about exploring those shapes rather than sending a message.