Vase with cover by Meissen Manufactory

Vase with cover 1725 - 1740

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ceramic, porcelain, sculpture

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ceramic

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bird

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flower

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porcelain

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sculptural image

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sculpture

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decorative-art

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rococo

Dimensions Height: 17 1/2 in. (44.5 cm)

Editor: We’re looking at a porcelain “Vase with cover,” crafted by Meissen Manufactory between 1725 and 1740. It feels very ornamental. I’m curious about its placement in society, particularly with all the birds and flowers depicted. How do you read this vase in terms of its historical context? Curator: That’s a great entry point. We must understand these objects weren't merely decorative; they were potent symbols of power, trade, and cultural appropriation. Meissen porcelain, like this vase, was coveted. European manufacturers like Meissen were imitating and laying claim to, Chinese porcelain production, speaking volumes about Europe’s imperial ambitions and its relationship with the East. The flora and fauna…do you think they represent pure nature, or something more complex? Editor: I guess I hadn’t considered the power dynamic, but that makes sense. I’d assumed the flowers and birds were simply decorative, representing wealth and status by representing leisure and enjoyment of nature. But with this imitation of eastern styles…are they commenting on something? Curator: Perhaps. It also speaks to class and gender dynamics. These vases often adorned aristocratic homes, spaces dominated by women. Rococo art, with its emphasis on nature, intimacy and the domestic, can be seen as both reflecting and reinforcing the societal roles assigned to women of the time. How might an artwork like this support or challenge those roles? Editor: So, the vase, while beautiful, is actually wrapped up in layers of social commentary on gender, colonialism, and class? It's both beautiful and maybe a bit... problematic? Curator: Exactly. It embodies the complexities and contradictions of the era. Seeing art through this lens makes us question the values embedded within it, pushing for a more critical dialogue. Editor: I never thought a vase could be so… political! Curator: It’s a reminder that art, even seemingly simple decorative art, never exists in a vacuum. It's always speaking to the society that creates it.

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