Madame Charles Gounod, born Anna Zimmermann 

Curator: A delicate pencil drawing of Madame Charles Gounod, born Anna Zimmermann. It appears to be unsigned, though art historians attribute it to Jean-Auguste-Dominique Ingres. Editor: It's an interesting drawing. The sitter's expression is really striking, quite self-assured, but the rendering is… hesitant? As though Ingres is still working through his ideas. Curator: Indeed. This would have been produced at a fascinating time in French portraiture, around the 1830s when artistic styles were really shifting away from Neoclassical austerity. Editor: It is interesting how her gaze meets yours. I'd almost describe it as a dare. What could her direct expression convey to audiences in the 1830's? How does it make viewers of today feel? Curator: Absolutely, Ingres has really captured her personality. Anna Zimmermann, who became Madame Gounod upon marrying the famous composer, is depicted with intelligence and refinement. Consider the implications of commissioning, or gifting a portrait in that time! Ingres certainly flattered his sitter; however, this speaks more broadly to societal and personal goals. Editor: The ruffled collar and delicate bracelet add such softness to her overall mien. Though I wonder if there's more to these seemingly innocuous details? Curator: You're hinting at something, tell me! Editor: Well, consider the Gounod family's standing. The ruffled collar could signify her marital status and societal standing. Then there is the bracelet, what message is given off when a female figure is depicted in expensive jewelry? Curator: Fascinating questions. Ultimately, "Madame Charles Gounod, born Anna Zimmermann" is an interesting work because it pushes past the aesthetic of formal portraiture, becoming more representative of social standing at the time. Editor: It's a lovely image, and considering Ingres' oeuvre, really conveys societal standards when representing female figures! The way you brought in historical context enriches the picture.