Copyright: Rijks Museum: Open Domain
Isaac Israels made this drawing, Vrouw, with a pencil, and what strikes me is how economical it is. The lines are so few, but they manage to suggest so much. It reminds me that artmaking is as much about what you leave out as what you put in. Look at the way he's used hatching on the hair, those quick, diagonal strokes. It’s not just about shading; it's about adding texture and a sense of movement, you can imagine the soft light of a studio dancing in the dark tresses. And then there’s that hat, just a few lines, but it sits so perfectly on her head. Each mark feels intuitive, like he's really *seeing* her. Israels reminds me a little bit of Manet, in his ability to capture a fleeting moment with such casual grace. They both understand that art is an ongoing conversation, and that ambiguity is part of the fun.
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