Reliëf van een ruiter te paard die met een draak vecht, van de San Marco in Venetië by Carl Heinrich Jacobi

Reliëf van een ruiter te paard die met een draak vecht, van de San Marco in Venetië before 1885

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drawing, print, relief, bronze, photography, gelatin-silver-print

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portrait

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drawing

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medieval

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print

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relief

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bronze

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photography

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gelatin-silver-print

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history-painting

Dimensions height 393 mm, width 311 mm

Editor: We're looking at a gelatin silver print, taken before 1885 by Carl Heinrich Jacobi, depicting a relief from the San Marco in Venice. It's titled, rather dramatically, "Relief of a horseman fighting a dragon." The image has this slightly eerie, washed-out quality, which almost gives the scene a dreamlike feel, like something from a medieval tapestry. What strikes you about this piece? Curator: Dreamlike is a perfect word for it. Jacobi’s capture turns a solid bronze narrative into something ethereal, almost a half-remembered myth. I’m drawn to the contrast – the fierce energy of the knight battling this grotesque dragon, yet the image itself feels still and silent. Don't you find that peculiar? A story frozen, yet still breathing fire somehow. Editor: It is peculiar! Almost like the image is fighting against itself! Where does that tension come from, do you think? Curator: Part of it is, undoubtedly, the medium. Jacobi’s not just documenting, he’s *translating*. Bronze becomes light, sculpture becomes shadow. We’re twice removed from the ‘actual’ event – first the dragon slain, then the artist capturing it in relief, and lastly Jacobi, framing this struggle for a modern viewer. Photography lends it a scientific weight, while its subject lives in the realm of legends. Which truth are we seeing here? The camera’s, the sculptor's, or perhaps something altogether new? Editor: Wow, so many layers! So it's less about the literal story, and more about the way it’s *told*, and *re-told* through different mediums? Curator: Precisely. It reminds me that every image, every artwork, is a kind of translation. And every time we look, we're creating another version of the story. It becomes personal, almost like we co-authored the experience. Editor: That’s a really interesting way of thinking about it. I’ll never look at photographs the same way again. Curator: Wonderful. I am so glad! Perhaps next time we will consider whether we should have!

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