Paolo Giordano II Orsini (1591–1656) 1636

This bronze medal of Paolo Giordano II Orsini was created by Johann Jakob Kornmann, called Cormano, in the 17th century. The circular form immediately evokes classical traditions, yet its design is anything but static. Kornmann's low relief creates a play of light and shadow across the figure, animating the surface. Note how the incised inscription frames the portrait, acting as both border and text, a duality that challenges the separation of image and language. The crisp detailing of Orsini's hair and armor contrasts with the smoother planes of his face, lending the image a sense of depth and texture. Consider how the artist manipulates depth within such a shallow space. The layering of elements, from the inscription to the figure's bust, creates an illusion of three-dimensionality, a feat of design that invites us to question the boundaries between sculpture and painting. This medal is not just a portrait, but a sophisticated exercise in visual language and spatial perception.