Kruisiging van Christus en allegorie met deugden 1681 - 1740

Curator: Well, hello there! Take a look at this compelling print, “Crucifixion of Christ and Allegory with Virtues." It was created sometime between 1681 and 1740, likely designed by François van Bleyswijck. You can find it here in the Rijksmuseum. It's an engraving with very detailed linework, very much in the baroque style. Editor: Woah! That's a lot to take in, right? My first impression is…drama! The theatrical kind, you know? The figures all seem to be caught mid-gesture, almost like a freeze-frame of some really intense stage play. What strikes me is the chaotic harmony it evokes; it seems both messy and meticulously composed. Curator: Baroque art often sought to overwhelm the senses and inspire piety through such displays. It aimed to connect earthly life with the spiritual. The "history painting" element references Christ's sacrifice. Meanwhile, the allegory is a display of virtue defeating vice. It’s propaganda rooted in moral instruction, all composed through classically allegorical symbolism. Editor: I dig that—the 'earthly meets spiritual' vibe. The top scene with the crucifixion framed like a performance, like a holy show—and the bottom half swirling with these mythological creatures and angelic babies feels…trippy, almost. The engraving style does give it a unique timelessness. Tell me, why do you think this blend of religious imagery and allegorical figures was so popular then? Curator: Well, such depictions gave artists the freedom to interpret scripture and tradition in new ways, aligning faith with evolving societal values. By embedding the virtues so literally, and the "sacrifice" into daily experience, its goal was shaping public perception through narrative and visuals. Editor: Cleverly manipulative and visually decadent... but I do admire its craft. Now looking closer, I do appreciate the level of detail someone put into each element of this print—especially on the symbolic elements below the depicted scene. A lot is happening in this engraving, even for one viewing! Curator: And seeing it now, within the walls of the Rijksmuseum, the image takes on new layers of significance, prompting reflection about our modern values. The historical role of propaganda, artistic liberty and our perceptions about that past. Editor: True that! Who knew a little engraving could hold so much weight and historical richness. Thanks for the deep dive, historian. Curator: Likewise, it’s amazing how the raw feelings about "drama and emotion" in this moment echo in contemporary minds and imaginations.