Door knocker in the form of Medusa’s head 1925
metal, bronze, sculpture
portrait
art-deco
metal
stone
sculpture
classical-realism
bronze
figuration
sculpture
history-painting
Emile-Antoine Bourdelle made this bronze door knocker in the form of Medusa’s head. I can imagine Bourdelle working on this sculpture, pushing and prodding the clay to create a writhing mass of snakes. The snaky textures are incredible, aren’t they? There’s something so visceral about the way the snakes seem to twist and writhe. I wonder what Bourdelle was thinking about as he sculpted? Perhaps he was drawn to the drama, the horror, and the seduction of the Medusa myth. Medusa's gaze could turn people into stone, but here the cool bronze captures her mid-scream, allowing you to look and contemplate. The way the metal catches the light emphasizes the tension and drama. It's a timeless image, Medusa’s head, and so many artists have had their own say. There’s a conversation that’s been going on for centuries through paintings and sculptures like this one.
Comments
In Greek mythology, Medusa was a horrible monster, which would turn anyone looking her in the face into stone. The hero Perseus eventually beheaded her by avoiding her gaze and looking at her mirror image on his shield. Rodin's student and friend Bourdelle chose to revive an ancient tradition, according to which Medusa was particularly beautiful, and her beastly nature is only alluded to by the snakes mingled amongst her tresses. This superimposition of the terrible and the terrific, of the attractive and the repulsive very much responds to the theme of the femme fatale, which was popular in European culture of the late 19th and early 20th centuries.
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