Oude brandspuiten en nieuwe slangbrandspuiten, 1690 by Jan van der Heyden

Oude brandspuiten en nieuwe slangbrandspuiten, 1690 1688 - 1690

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print, engraving

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narrative-art

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baroque

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print

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cityscape

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genre-painting

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engraving

Dimensions: height 364 mm, width 240 mm

Copyright: Rijks Museum: Open Domain

Editor: This engraving, titled "Oude brandspuiten en nieuwe slangbrandspuiten," dating from 1688 to 1690, by Jan van der Heyden, presents an old and a newer style of fire hose. It's amazing how much detail is packed into this print! It almost feels like a technical illustration. How might we read the organization of forms and objects presented here? Curator: Consider how the artist juxtaposes the older and newer fire-fighting technologies. Note the contrast in lines, where straight lines dominate the older apparatus in comparison to the serpentine forms that embody the newer one. Note also how the engraving itself is organized with a foreground, midground and background -- the visual arrangement guiding the viewer’s eye through distinct layers of action. How does this staging inform your reading? Editor: That makes sense. It seems the contrast emphasizes the "newness" through its very form! Do you think that, beyond mere functionality, there is another function at play here? Curator: Observe how the receding planes guide the eye. Are we meant to understand each plane as holding equal narrative weight, or does the sharp definition of foreground versus a softer treatment of what lies behind impact the formal hierarchy? The precise etching foreground versus the sketchy background seem intended to elicit focus... what, therefore, constitutes its core subject? Editor: Perhaps the core is technological progress and urban innovation, because everything relates to it? I now wonder how different the artist’s approach would be if this progress had not been viewed as quite so absolute. Curator: Precisely. These formal choices invite us to question the artwork’s core message, the ideology underpinning this portrayal of progress. This close reading invites us to challenge what we accept as factual and begin to unpick what is an image designed to do. Editor: So much to consider just in the lines and composition! It really shows how close visual analysis helps unlock deeper understanding. Thanks for showing me!

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