Laozi (c. 571-477 BC) Riding through the Pass on a Black Ox c. late 17th century

Editor: This is Chŏng YusÅ­ng's "Laozi Riding through the Pass on a Black Ox." I'm drawn to the way the artist uses such delicate brushstrokes to create this ethereal scene. What stands out to you? Curator: I notice how the materiality of the silk and ink shape our understanding. The labor of preparing the materials, grinding the ink, and the very act of painting become central. How does the artist's choice of materials affect the narrative? Editor: That's interesting. I hadn't considered the implications of the silk and ink themselves being so integral to the artwork. Curator: Exactly. The artist isn't simply depicting a scene, but also engaging with the history of ink painting as a practice, and the social status associated with artistic production. It reveals a lot about consumption, doesn't it? Editor: It really does! Thinking about the materials used provides a whole new perspective. Thanks! Curator: My pleasure! It’s fascinating to consider the ways of making as a means of understanding.