Tin Tray by Victor F. Muollo

Tin Tray c. 1937

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drawing, mixed-media, painting

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drawing

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mixed-media

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painting

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geometric

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decorative-art

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watercolor

Dimensions: overall: 29.7 x 39.7 cm (11 11/16 x 15 5/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Well, this is a very curious object. This mixed-media work, entitled "Tin Tray," was created around 1937 by Victor F. Muollo. The rendering incorporates painting and drawing on an unknown base. Editor: I find its geometry pleasing; it almost looks like a set of nesting frames with progressively elaborate decorative detail towards the center. The central, black space feels quite stark against the ornamentation around it, like a stage awaiting its players. Curator: Given its materiality, it raises some intriguing questions about design versus craft. The intention of its making and what defines “high art” against decorative production within a possible economic and material constraint context. Perhaps Muollo was working during the Depression. Editor: Right, so considering the socio-economic context, this "tray" might point towards questions around domesticity. The style reads a bit old fashioned, evoking previous historical epochs when ornate trays were markers of class. Is this aspiration, pastiche, critique, or all of the above? Curator: That is part of the puzzle. Notice the repeating geometric motifs in the corners and how the rendering resembles mass-produced printed or cast elements that someone could combine at the workshop level. It could reveal artistic production processes for decorative elements aimed toward middle-class consumption in its time. Editor: It almost reads like a study, breaking down decorative art components and layering those elements in progression. Are we supposed to admire the artistry inherent in such design or, rather, recognize this design is more widely reproducible, pointing to a culture increasingly oriented around the consumable? Curator: Precisely. It speaks to the evolving function of objects, where utility merges with artistry and reproducibility becomes the driving factor for dissemination and broader social impact. Editor: All that glitters might, in this case, reveal deeper cultural structures beneath the shimmering surface. A simple-seeming tin tray reflecting an entire society. Curator: Indeed. A common item made complex and nuanced through the artist’s choices. Editor: Leaving us with so much more to think about beyond its surface appearance.

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