Portret van Anna Maria Ebeling by Jacob Ernst Marcus

Portret van Anna Maria Ebeling 1817

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pencil drawn

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photo of handprinted image

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light pencil work

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wedding photograph

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photo restoration

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shading to add clarity

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pencil sketch

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old engraving style

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pencil drawing

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limited contrast and shading

Dimensions height 153 mm, width 108 mm

Curator: This is "Portret van Anna Maria Ebeling," a portrait created around 1817 by Jacob Ernst Marcus, housed here at the Rijksmuseum. It is done in light pencil work in old engraving style. Editor: She looks…contained. Like a neatly packaged secret. The oval framing adds to that sense of enclosure, doesn't it? Curator: Indeed. The oval format itself carries echoes of classical cameos, signifiers of status and formality, almost as if she's presented as a jewel or keepsake. What’s particularly interesting is how Marcus has deployed shading here to offer definition and depth to her face. This artistic approach emphasizes not only her features but also creates an ambiance of reflective dignity, inviting us to contemplate more than just a physical likeness. Editor: I’m stuck on that ribbon. It’s so prominent, perched on her head like that. It feels a bit over the top for such a serious portrait, doesn’t it? Is it a symbol of something specific or just fashionable frippery? Curator: A wonderful observation! These bows are interesting symbols. Fashionable frippery perhaps, but also potentially emblematic of youthful femininity and marital status during the period, it might denote availability or connection to rituals of courtship, or impending nuptials depending on its colour. Its visual weight does vie for attention within the frame—a gentle subversion or gentle critique from Marcus regarding feminine ideals? Editor: Gentle rebellion with ribbons. I love that thought. Maybe it's my own projection, but her eyes feel as if they hold both vulnerability and quiet strength. What do you take away from this encounter? Curator: For me, it speaks of how artists capture character using not just skill but the visual cues and cultural language that spoke volumes at the time. It’s almost like Marcus is providing us a key to unlock a world, beliefs, that may now be unfamiliar. Editor: Absolutely. Art like this really underscores how much history simmers beneath seemingly still surfaces. Thanks, this piece definitely sparked my curiosity today.

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