Portretten van Cornelis Engebrechtsz., Bernard van Orley en Lucas van Leyden 1764

Editor: Here we have Jan l'Admiral’s print, "Portraits of Cornelis Engebrechtsz., Bernard van Orley, and Lucas van Leyden," created in 1764. It's an engraving, giving it a very precise, linear feel. I’m struck by how the artist is playing with different portrait formats within the same image. What can you tell me about this piece? Curator: It's fascinating how this print highlights the institutional role of art historical memory. Jan l'Admiral wasn't just creating portraits; he was participating in constructing a lineage of Dutch Masters. Consider that this piece emerged in 1764: what social or political function might such a constructed artistic past serve at that time? Editor: Hmm, so it's not *just* about these three artists. Was it to build a sense of national pride? Or perhaps reinforce artistic traditions at the time? Curator: Precisely! Think about the role of academies and art collecting during that period. How were they shaping taste and canonizing artists? And why do you think the artist chose to depict them in such different formats – one in a framed oval, another seemingly pinned to a wall? What could be inferred by those choices? Editor: Maybe to show the passing of time? Like, they are historical figures now viewed through different lenses? Curator: Interesting thought. Or could it be about emphasizing their individual artistic styles through different visual framing devices sanctioned and promoted by artistic academies? Consider the influence of art criticism in shaping these perceptions as well, especially throughout the 18th century. It is worth reflecting upon the politics of images in that period. Editor: I see…It’s less a straightforward depiction and more of an active engagement with the art world’s own history and the values it promotes. This makes me view it in a new way! Curator: Exactly! That intersection between art, history, and power is always at play. Recognizing it allows us a much more profound insight into this baroque engraving.