Masker met uitgezakte wangen, twee spitse ondertanden en een toef krullen rustend op de neuswortel 1555
drawing, graphic-art, graphite, engraving
portrait
drawing
graphic-art
mannerism
11_renaissance
graphite
portrait drawing
engraving
Dimensions height 154 mm, width 140 mm
Editor: This engraving from 1555 by Frans Huys, titled "Masker met uitgezakte wangen, twee spitse ondertanden en een toef krullen rustend op de neuswortel," depicts a grotesque mask. The detail is striking. What stories do you think this image is trying to tell? Curator: The mask presents a fascinating array of visual cues deeply embedded in cultural memory. Notice the exaggerated features—the sagging cheeks, the bared teeth. These aren’t merely physical attributes but symbolic ones. Consider how similar facial expressions have been used across different cultures and eras to depict negative traits, even demonic ones. What kind of power does the mask convey with these combined symbols? Editor: It definitely looks unsettling! The wings or ears attached to the head – do those have a particular significance, perhaps hinting at some mythological creature? Curator: Precisely. The addition of wing-like structures alludes to otherworldly qualities. Think of depictions of ancient deities, or even devils; how do such details influence our understanding? These motifs create a layered experience that speaks to our deepest cultural anxieties and primal associations. Are those plant-like tendrils surrounding it as well? Editor: Yes, there are curly ornaments! That’s a lot to unpack in one image. I had only focused on the creepiness, I wasn't considering cultural elements. Curator: That's the beauty of iconography. What began as a physical description unlocks so many other levels. These symbolic figures evolved over millennia to represent many diverse ideas about the human condition, all layered and interconnected in complex ways. Are you still creeped out by it, or have those feelings evolved a little bit as you reflect on cultural symbology? Editor: Definitely less creeped out and more interested. I think I now see the mask as less of a random scary face and more of a repository of complex ideas!
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