Portret van een onbekende vrouw met strik in het haar by Paul Parmentier

Portret van een onbekende vrouw met strik in het haar 1864 - 1902

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drawing, pencil

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portrait

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pencil drawn

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drawing

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pencil sketch

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figuration

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pencil

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pencil work

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realism

Dimensions height 110 mm, width 89 mm

Curator: Welcome. Let’s discuss Paul Parmentier’s "Portret van een onbekende vrouw met strik in het haar," dating from 1864 to 1902. It's a pencil drawing currently housed at the Rijksmuseum. Editor: This portrait feels surprisingly modern, even though it's over a century old. What really strikes me is the direct gaze and somewhat severe expression of the subject. What do you see in this piece? Curator: I see a challenge to the traditional, often romanticized, portrayals of women during that era. While it's "realistic," it invites questions about the sitter's identity and her social positioning. Who was this woman, and how did she navigate the constraints placed upon her? The almost photographic detail emphasizes her individuality but simultaneously leaves her unnamed, belonging to a category of "unknown" women who were rendered invisible in history. Do you think that impacts the mood it conveys? Editor: Absolutely. Knowing she is "unknown" adds a layer of mystery but also hints at the many women whose stories weren't told or valued. It does seem a bit political, that she would be drawn this way without her social status clearly visible. Is this potentially about questioning the limited roles assigned to women? Curator: Precisely! The artist isn't just showing us her likeness; he's implicitly critiquing the systems that marginalized her. The detail given to her garments, compared to the simplicity of her hair, speaks to the restrictions she was facing. Consider the bow – is it decorative, or another symbolic constraint? Editor: That's a compelling perspective! I hadn’t considered how the details themselves contribute to the narrative of societal limitations and also hints at hidden resistance. Curator: This piece reminds us that art can be a potent tool for uncovering forgotten histories. Hopefully we’ve equipped listeners with ideas about looking at art and history in tandem. Editor: This has totally shifted my way of seeing portraiture. I'm grateful to have learned how to look more deeply!

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