Droogmaking der Plassen in Schieland, beoosten Rotterdam by Jacobus van Gorkom jr.

Droogmaking der Plassen in Schieland, beoosten Rotterdam Possibly 1868

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print, photography, gelatin-silver-print

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dutch-golden-age

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print

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old engraving style

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landscape

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photography

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gelatin-silver-print

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historical font

Dimensions height 32.3 cm, width 47.2 cm

Editor: This gelatin silver print, possibly from 1868, is titled "Droogmaking der Plassen in Schieland, beoosten Rotterdam" by Jacobus van Gorkom Jr. It depicts a land reclamation project in the Netherlands. It looks like a bustling scene, but also hints at major landscape transformation. How do you interpret this work? Curator: This photograph resonates with layers of meaning, particularly when considering the Dutch relationship with land and water. Land reclamation projects like this one weren't just about engineering; they were about power, control, and fundamentally reshaping the environment to suit human needs. We have to question, who benefits and at what cost? Editor: So, it's not just a historical record, but also a statement about societal values? Curator: Absolutely. Consider the historical context: the 19th century was an era of intense industrialization and colonial expansion, driven by a desire to control and exploit resources. These reclamation projects can be seen as a parallel to that impulse, a local manifestation of a global trend. Who were these workers, and what were their motivations? Were they landowners, or wage labourers driven by economic necessity? Editor: I hadn’t thought about the power dynamics involved. It seems that something seemingly neutral, like draining a swamp, has broader implications. Curator: Precisely! This image invites us to contemplate how deeply intertwined technological progress is with issues of social justice and environmental responsibility. Do you think it speaks to current environmental debates? Editor: Yes, definitely! It shows that even seemingly beneficial actions can have unintended consequences. I’m seeing this photograph with new eyes. Thank you. Curator: And thank you, thinking through these intersections is how we uncover the powerful narratives embedded in seemingly simple photographs.

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