drawing, pen
portrait
drawing
facial expression drawing
head
face
charcoal drawing
figuration
11_renaissance
portrait reference
male-portraits
portrait head and shoulder
sketch
animal drawing portrait
pen
portrait drawing
facial study
history-painting
facial portrait
italian-renaissance
portrait art
digital portrait
Dimensions: 18.3 x 13.6 cm
Copyright: Public domain
Curator: Let's turn our attention to "Old man with ivy wreath and lion's head," a pen and charcoal drawing by Leonardo da Vinci, created around 1519. It’s a captivating piece. Curator: Indeed. The immediate impact is striking. The raw, almost unsettling expression and the red chalk lend a sense of immediacy and psychological depth. Curator: This artwork provides insight into Renaissance workshop practices. The utilization of readily available and cost-effective materials such as pen and charcoal on paper implies an exploration of the artistic and manual labor of draftsmanship during this historical context. We also note the re-use of media given some details seem faded or retraced. Curator: True, but observe how Da Vinci’s command of line and shading gives volume to the old man’s face, every furrow of his brow and the tension around his mouth masterfully conveyed. Also the symbolic weight of the ivy wreath contrasted to the fierceness of the lion. The red chalk emphasizes both age and power. Curator: I wonder if Da Vinci was making a comment on social class, and how social roles are enacted. This man doesn't appear rich or of high status. In some ways the work highlights his aging body, it might say more about the social issues relating to access and visibility of working people than, perhaps, Renaissance power or dominance. Curator: Perhaps, yet the artistic choices guide our eyes and our interpretation. Notice the angle and asymmetry. Also, the red monochrome, with cross hatching around the eyes, speaks to a depth beyond social commentary, a profound sense of internal life, skillfully expressed through form and medium. Curator: And form, in this case, must always be interrogated through what the artwork allows, from a perspective of availability, skill, the economics of art creation, and circulation. Curator: In short, both material realities and Da Vinci’s skilled manipulation shaped this portrait’s emotional charge. Curator: An insightful intersection that enhances our engagement.
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