Portret van Leo Blumensohn, de eerste echtgenoot van Isabel Wachenheimer met donkere vraag en rechter zijscheiding in het haar, 1945-1949 1945 - 1949

This portrait of Leo Blumensohn was made between 1945 and 1949, using photographic processes. While the artist is unknown, the work offers insight into the intersection of industrial technology and personal expression. The photograph's material qualities—its paper stock, the chemical emulsions, the development process—speak to the industrialized nature of image-making in the mid-20th century. Photography had become relatively accessible, yet still required specialized knowledge and equipment, placing it within the realm of skilled labor. Consider the photographer's hand in framing and capturing Blumensohn, but also the complex machinery involved in producing the final print. The portrait reflects broader trends of mass production and consumption, offering a glimpse into the democratization of image-making while also highlighting the labor and technological infrastructure behind it. Ultimately, this photograph reminds us that even seemingly straightforward images are products of intricate processes, deeply intertwined with social and economic forces.