Naakte vrouw met opgetrokken knieën zittend op een divan 1870 - 1923

This etching by Willem Witsen captures a nude woman seated on a divan. The composition is striking: the figure is framed by a stark, rectangular border, setting her apart from the patterned background. The use of drypoint creates a velvety texture, enriching the monochrome palette with subtle gradations of light and shadow. Witsen masterfully balances the geometry of the frame with the organic curves of the model’s body. The contrast between the softness of her skin and the textured backdrop invites a structuralist reading, challenging conventional binaries. The pattern flattens the space behind the figure, emphasizing the artifice inherent in representation. This tension destabilizes the traditional nude, inviting us to consider the construction of the female form as a visual sign. Ultimately, the power of this etching lies in its ability to merge formal structure with semiotic complexity. The composition is not just aesthetically pleasing but also a sophisticated engagement with questions of representation and perception.