Man met een afwijking in de wervelkolom 1836 - 1912

Isaac Weissenbruch created this small drawing with pen on paper. Though the specific date is unknown, it offers a window into 19th-century artistic practices and social perceptions. Weissenbruch's choice of pen and paper allowed for intricate detail and precision. Look at the fine lines that define the contours of the figure's back and the delicate shading that creates a sense of depth. The emphasis on capturing the abnormality in the spine invites contemplation about the representation of the human body, particularly those with disabilities, in art. In a time when medical understanding was evolving, such drawings served as valuable documentation. But Weissenbruch's rendering goes beyond mere observation; it prompts us to consider the artist's sensitivity and the sitter's humanity. It blurs the lines between scientific study and artistic expression, reminding us of the power of art to foster empathy and understanding.