Saint Francis Receiving the Stigmata 16th-17th century

Editor: Here we have "Saint Francis Receiving the Stigmata," attributed to Sisto Badalocchio. It's a detailed drawing. What strikes me is how theatrical it feels, like a stage production of a religious experience. What’s your interpretation? Curator: It's fascinating how Badalocchio uses the visual language of theater to convey religious ecstasy. Consider the socio-political climate; Counter-Reformation art aimed to inspire devotion. How might this dramatic depiction of Saint Francis have served that purpose? Editor: So, it's not just about the saint's personal experience, but also about influencing the viewer. The drama makes it more persuasive. Curator: Exactly! The art becomes a tool for shaping public sentiment. This blending of art and politics is critical for grasping its full impact. Editor: I hadn't thought about the political dimension before. Thanks for the insight! Curator: It changes how we view the piece, doesn't it?