New York 7, Holland Transportation Company by Berenice Abbott

New York 7, Holland Transportation Company c. 1930s

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photography

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precisionism

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black and white photography

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street shot

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outdoor photograph

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outdoor photo

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black and white format

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archive photography

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street-photography

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photography

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historical photography

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unrealistic statue

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old-timey

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monochrome photography

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cityscape

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monochrome

Dimensions overall: 19.1 x 24.2 cm (7 1/2 x 9 1/2 in.)

Curator: Abbott’s photograph, "New York 7, Holland Transportation Company," circa 1930s, offers such a stark yet intimate glimpse into a bygone New York. The monochrome palette and strong geometric compositions are striking, wouldn't you agree? Editor: Absolutely! The heavy shadows cast by the elevated train give it a somber mood, almost like a stage set for something dramatic. The materiality feels… gritty. What strikes you most about its context? Curator: What I find fascinating is how Abbott documented the rapid changes sweeping New York City. The elevated railway, though a symbol of progress, also cast literal shadows on the older, human-scaled urban landscape. It's a powerful commentary on the tension between modernization and tradition, isn't it? Note how the "Holland Transportation Company" sign is dwarfed by the looming structure. Editor: It's interesting how you frame that tension. Did the public embrace or resist this sort of urban development? Curator: That’s precisely the question. Abbott's work reveals a complex reaction. On one hand, there's the promise of efficiency and modernity, epitomized by the railway. On the other, there's a sense of loss – a visual mourning for the intimate, pedestrian-oriented streets that are slowly disappearing. Look at the relative emptiness of the street itself; what do you make of that? Editor: It does seem deliberately…unpeopled. Like the city's been partially erased, or perhaps, waiting. This makes me consider Abbott's intentions as a kind of preserver, attempting to freeze this moment in time. Curator: Precisely! This photograph isn’t merely a depiction; it’s a critical social document, imbued with Abbott's perspective on the evolving urban experience and what it meant to public life in the city. I feel differently seeing this photograph after having this conversation. Thank you! Editor: And thank you. I now have a stronger understanding of how the photograph offers a perspective on that transitional period in New York's history.

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