Gezicht op Torquay 1832 - 1852

George Rowe made this print of Torquay, in England, using steel engraving. In this tranquil scene, the calm water reflects the town's buildings, suggesting stability and order. But, prints like this played a key role in shaping perceptions of places during a time of rapid social and economic change. As Britain industrialized and urbanized, the countryside and coastal towns became increasingly romanticized, offering an escape from the harsh realities of industrial life. Rowe's choice to depict Torquay from the sea emphasizes its picturesque qualities, inviting viewers to imagine a peaceful retreat. These idealized images often glossed over the social and economic complexities of these locales, contributing to a narrative of Britain as a land of natural beauty and harmonious society. By studying prints like these, and consulting historical records, we can better understand how perceptions of place were constructed and disseminated in the 19th century.