Inferno VII 1967

Curator: Sir Sidney Nolan's "Inferno VII" is a visually striking work housed here at the Tate. The figures, rendered in pinks and reds, immediately command attention. Editor: There's a strange tension. The hazy forms feel ethereal, yet the bright colors and harsh lines suggest something more sinister. What's the context here? Curator: Nolan, an Australian artist, often explored themes of mythology and history. The "Inferno" series, inspired by Dante, uses bold colours to convey the emotional intensity of the poem. Think of the social and personal struggles Nolan may have experienced. Editor: Ah, I see. The composition, especially the way the figures gaze upwards, creates a sense of yearning and perhaps suffering. The overlaid figures with hints of butterflies suggest a metamorphosis of some kind. Curator: And it makes you think, doesn't it, about how Nolan used readily available materials in his practice? It reflects the democratic possibilities inherent in artmaking. Editor: I find the use of colour and form so striking. It really elevates the emotional impact. Curator: Absolutely. Nolan’s distinctive style leaves a lasting impression about the struggle of the artist. Editor: Yes, a testament to the power of composition and material in conveying complex themes.