Greeting Card by Johannes Endletzberger

drawing, print

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drawing

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natural stone pattern

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circular oval feature

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decorative element

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egg art

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print

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pattern background

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tile art

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ethnic pattern

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layered pattern

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decorative art

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ethnic design

Dimensions Sheet: 3 1/4 × 3 11/16 in. (8.3 × 9.3 cm)

Curator: Here we have "Greeting Card" created in 1839. It resides here at the Metropolitan Museum of Art. Made with drawing and print techniques. Editor: Immediately, I’m struck by this intricate, almost otherworldly scene. The ovals nestled within, each containing a miniature world of flora—it feels like a secret garden revealed. A kind of valentine sent from a fairy kingdom. Curator: That fairy kingdom has its roots in the early Victorian era, when sending sentimental greeting cards became more widespread, largely because of the printing press making mass production more feasible and affordable. Consider that this coincides with other crucial political developments of the 1830's. Editor: So it's a gesture made accessible, then. Something formally reserved for the upper classes trickles down, eh? I love that thought - and all this elaborate layering. Look how the gold leaf dances around those hand-painted ovals, practically framing miniature poems. What language is that curling around the flora? Curator: It's German, and from what I can translate it is well wishing. Things like 'May Love and friendship surround you all of your life' so that adds to its sentimentality and gift-giving tradition. It appears signed simply, L. E., perhaps initials for the creator, or receiver. Editor: A personalized touch to make it more special. It is really delicate work; like a whisper of kindness preserved under glass. It makes you wonder about its journey—who sent it, who received it? What dreams did it carry? Curator: Indeed. And we can explore how things like decorative art become important spaces to embody social desires, cementing important norms of friendship and family. It’s not *just* a greeting; it’s about social bonding through visual and material culture. Editor: In my mind, beyond that context, is this idea of giving beauty itself as a gift—offering a carefully arranged pocket of joy that could brighten someone's day. The message itself becomes secondary. Curator: That makes me think of the interplay between aesthetic experience and cultural value that gifts embodied. It reveals shifting attitudes around social expression through carefully selected imagery and symbolism. Editor: So beautifully put! I'll carry the image with me. This whisper of another era will linger for me throughout the day.

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