Laura Fonta; Petipa by André-Adolphe-Eugène Disdéri

Laura Fonta; Petipa 1850s - 1860s

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Dimensions Image: 7 3/8 × 9 1/4 in. (18.8 × 23.5 cm) Album page: 10 3/8 × 13 3/4 in. (26.3 × 35 cm)

Curator: Let's consider this wonderful page from an album, containing several photographs by André-Adolphe-Eugène Disdéri, entitled "Laura Fonta; Petipa." It was captured sometime in the 1850s or 1860s. Editor: My initial thought? An old memory shimmering back. It's got this wonderfully antique feel, like finding forgotten secrets in a grandparent’s attic. There’s almost something ghostly in those delicate ballerina poses, all caught mid-flight. Curator: The albumen print method, one of the earliest photographic processes, yields these remarkable tonal ranges. Consider the economics here: photography, now entering a phase of increased consumption. Albums such as these, demonstrating both artistry and commercial awareness, were gaining popularity. Editor: Oh, absolutely. It's almost like a sheet of collectible cards, isn’t it? Each a small story captured. She seems trapped between two worlds, caught between rigid choreography and the romantic ideal. Look how many repetitions exist to indicate this, this notion of stasis is very telling... Curator: Note how the studio backdrop suggests a staged fantasy, carefully constructed, while Fonta’s placement within these photographs denotes performance and the costuming acts almost as her labour. Editor: You're right, this points to the artifice of the whole thing, from tutu to the fake garden scene. I’m sensing echoes of longing for something perhaps unattainable. Ballet as controlled spectacle is a theme. There’s joy, I think, but something bittersweet too in these frozen frames, almost longing to exist somewhere beyond. Curator: A commercial venture intersecting with high art ambitions. That period, the 1850's was precisely on the hinge point! Editor: A beautiful hinge, though, wouldn’t you agree? These glimpses into time invite endless daydreams about Fonta and her craft. The beauty lies within what those small movements, held hostage within light, once meant to a world desperate for progress, frozen on stage for all to admire and purchase at their convenience. Curator: Precisely, an astute convergence that created the artistic artifact.

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