Caster 1835 - 1845

Curator: This piece, entitled "Caster", was created by William Forbes between 1835 and 1845. It's currently held in the collection of the Metropolitan Museum of Art. Editor: My first impression is one of elegance. The overall shape with its lustrous material makes it look like an adornment to a grand dining table, and I suspect it originally functioned in this capacity. Curator: Indeed. This piece exemplifies the refined aesthetic of decorative art from that period. Notice how the verticality of the overall form, from its subtly flared base to the finial on the lid, draws the eye upward. Then we have an excellent combination of plain surfaces juxtaposed with the florid scroll work and applied rococo embellishments. The monogram, a stylistic marker, appears nestled between two opposed scrolls in the vertical midsection. Editor: And what about the craft that’s gone into it? It is hard to not think of the silversmith who invested labor transforming raw material into functional artwork, which in turn acted as an index of wealth for the original commissioner. Beyond the artist who initially designed and prototyped this piece, there may have been workshop assistants executing aspects like casting or chasing. Curator: Absolutely. And consider how the maker employed those surface techniques to accentuate its curves and lines. The overall play of light is crucial. A polished finish further enhances this. The silver literally glows. Note the intricate piercing in the lid too. It adds an ethereal quality to the piece. Editor: One might imagine, each tiny aperture individually drilled or punched through silver using specialized tools— the kind of repetition that easily invites contemplation. Also how the finished item may well have traveled far, connecting its original owner with trade networks around the globe. How precious was the sugar that came out of it, that merited it to be dispensed by such artistry and cost! Curator: Interesting reflection, though I perceive here a sophisticated dialogue between form and function. The piercing, while aesthetically pleasing, also serves the practical purpose of dispensing contents. Forbes balances the visual interest with usability in this carefully calculated object. Editor: I concur that Forbes achieves a careful harmony; still, for me, these decorative flourishes resonate more deeply when considered in light of material culture of labor behind each detail, making it precious on the levels. Curator: I see your point. Considering both materiality and structure allows for a deeper appreciation. Editor: It enriches our perception. Thank you for your insight.