Two-Handled Crock by Fred Weiss

Two-Handled Crock c. 1936

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drawing, ceramic

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drawing

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pottery

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ceramic

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stoneware

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folk-art

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ceramic

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watercolour illustration

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watercolor

Dimensions overall: 44.7 x 58.9 cm (17 5/8 x 23 3/16 in.) Original IAD Object: 11" High

Curator: Here we have "Two-Handled Crock," rendered around 1936 by Fred Weiss. What strikes you about this watercolor and graphite drawing, Editor? Editor: Mmm, it's quaint. Makes me think of grandma’s root cellar... earthy, quiet. Almost smells of cool, damp soil and preserved pickles! Does folk art always exude such a placid essence? Curator: Indeed, the artist captures qualities intrinsic to folk art; there's a disarming simplicity, and perhaps, the absence of academic pretense which informs that feeling. Note the deliberate frontality; the twins of utilitarian pottery offer balanced symmetry, echoing basic, unadorned structure. Editor: "Twins!" I like that. You know, one twin seems to sport the numeral "2". Quirky, huh? Makes me imagine the potter marking it for a special batch or concoction... Moonshine perhaps! I'm injecting some humor. But what's with the simple, curly decorations? They seem rather modest and sweet. Curator: Consider these spiral flourishes as representative of both surface design and the continuity of tradition. There are strong historical antecedents to this type of ornamentation on stoneware crocks of this period. Editor: History in a swirl, very profound! Even with such uncomplicated markings, Weiss coaxes depth from his rendering of the stoneware. The muted grays create convincing heft... I almost expect to feel its coolness beneath my fingers. Curator: You're perceiving the modulation of value skillfully deployed across the form, particularly apparent in how the graphite underdrawing supports the watercolor washes, creating subtle gradations. Weiss guides the eye. Editor: Oh, yes, quite deliberate, I agree! What seems straightforward upon first glance is actually crafted with considerable care...almost an ode to humble, homespun beauty, I suppose. It has aged beautifully. Curator: Its careful construction transcends pure utility. Reflecting on this folk pottery through Weiss' rendering illuminates both form and cultural significance. Editor: It’s those hints that awaken the imagination, Fred's rendering creates such simple beauty. It makes you remember where you came from.

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