Epping Forest by  Sir Jacob Epstein

Epping Forest c. 1933

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Dimensions: support: 451 x 574 mm

Copyright: © The estate of Sir Jacob Epstein | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: So, this is Sir Jacob Epstein's watercolor, "Epping Forest," located at the Tate. The way the dark trees frame the bright path gives a sense of depth, like you could just walk right into the woods. What historical context should we consider when viewing this work? Curator: Epstein, though known as a sculptor, frequently painted landscapes. Think about the social perception of the forest at the time. Was it a place of leisure, labor, or something more symbolic? Editor: I guess I hadn't considered the different ways people might experience or view a forest. Curator: Exactly. And how did urban expansion influence artists' portrayal of nature? This was made during a time of dramatic change. Editor: That reframes the whole piece. It’s not just a pretty scene; it's a statement. Curator: Precisely. The painting becomes part of a larger cultural discussion.

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tate 10 months ago

http://www.tate.org.uk/art/artworks/epstein-epping-forest-t05760

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tate 10 months ago

Epstein returned to flower and landscape painting frequently during the 1930s. According to his autobiography, 'Let There Be Sculpture', during the summer of 1933 he painted nearly a hundred water-colours of Epping Forest, where he rented a cottage. 'I could go there with my daughter and we did not have to walk far before seeing something worth painting. As usual with me, what started as a mere diversion became in the end a passion, and I could think of nothing else but painting. I arose to paint and painted until sundown ...' Gallery label, August 2004