Vogelvallen by Bernard Picart

Vogelvallen 1730

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print, etching

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baroque

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print

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pen sketch

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etching

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old engraving style

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landscape

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etching

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geometric

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line

Dimensions height 140 mm, width 187 mm, height 102 mm, width 187 mm, height 388 mm, width 246 mm

Curator: Let's delve into this fascinating print, "Vogelvallen," created by Bernard Picart around 1730. It’s an etching, held here at the Rijksmuseum. Editor: It’s striking how much this reminds me of stagecraft—this carefully constructed landscape with a clearly demarcated picture plane. Is it a landscape, a diagram, or both? Curator: It is both! Picart situates his rendering of nature within the context of Enlightenment philosophies by employing scientific methods and reasoning to map or reproduce the "real world". This kind of measured application really speaks to a desire to organize, codify, and essentially control the natural environment. Editor: The lines, so precise and delicate, create an incredible sense of depth, don't you think? There’s a wonderful tension between the flat, almost diagrammatic rendering of the geometric figures, and the relatively realistic depiction of the natural world. I mean, what are those lower figures suggesting, formally? Curator: I read the shapes in relation to changing interpretations and the shifting value of what’s considered "natural." What once was sacred becomes something to dissect and manage – the geometric drawings down below emphasize that the entire ecosystem is under scrutiny; a kind of symbolic foreshadowing of future social impacts of Enlightenment rationality. Editor: So, even something that looks idyllic has deeper meaning related to scientific methodology? It feels contradictory to connect these analytical drawings with something as free and unconstrained as a landscape. The cloud treatment has such freedom. Curator: Precisely. This is not a simple representation of nature; the scientific style suggests both promise and a sense of caution concerning these pursuits, pointing out possible misuses. Editor: It's fascinating how a seemingly simple etching can encapsulate such complex philosophical and social issues. It invites you to consider the multiple layers of meaning and intent woven into it. I will never be able to unsee this staging. Curator: Right, exactly. This baroque print offers so many readings, whether through the lines and composition, or how the image intersects broader cultural and political concerns around power. It underscores the multifaceted nature of art as a reflection of societal norms, even those we take for granted.

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