Man in Turkish Costume Holding a Shield by Anonymous

Man in Turkish Costume Holding a Shield 1500 - 1600

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drawing, print, ink, pen

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portrait

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drawing

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print

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figuration

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ink

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pen-ink sketch

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sketchbook drawing

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pen

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genre-painting

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history-painting

Dimensions 7 1/16 x 3 3/4 in. (18 x 9.5 cm)

Curator: Isn't it remarkable how a few lines can evoke an entire world? This pen and ink sketch, entitled "Man in Turkish Costume Holding a Shield," thought to have been created sometime between 1500 and 1600, immediately gives me a feeling of the theatre. Editor: The theatre of war, maybe? Or just a costume ball? My immediate reaction is...uncertainty. The lines are so loose, almost exploratory. He looks rather unconvincing, and that shield looks more like a misshapen heart! Curator: Maybe both! There is a definite performative aspect. And the figure appears so vulnerable, not at all heroic despite the costume and shield. He could be a character from a play. Think about what it might have meant to dress as someone from another culture in that time. I am drawn to the artist's, now anonymous, clear fascination with detail—the folds in the fabric, the elaborate trimming, and that somewhat droopy turban. He really invites speculation! Editor: Absolutely, the "Turkish costume" is loaded. It invites us to consider Orientalism and the West’s fascination with and simultaneous fear of the East. Was this a genuine attempt to represent Turkish attire, or simply a projection of European fantasies onto the "other"? The looseness of the sketch seems appropriate. It doesn’t feel like a definitive statement, but more an exploration, a question mark. The ambiguity is powerful, actually, as he simultaneously seems dignified and quite absurd. Curator: Indeed. This drawing makes you wonder what story it could tell if it only could... And if it only knew its origins. We only know this gem is now part of the collection at the Metropolitan Museum of Art, New York. Editor: Its very ambiguity invites constant interrogation and provides the space to challenge assumptions. I’m left questioning how such seemingly simple lines can open up such complex narratives about identity, power, and representation. It makes me wish it could lead us on a proper path rather than tease, with its many loose lines.

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