Noach gaat met zijn familie en de dieren aan boord van de ark 1558 - 1643
print, engraving
light pencil work
narrative-art
baroque
pen sketch
pencil sketch
sketch book
figuration
form
personal sketchbook
ink drawing experimentation
pen-ink sketch
line
pen work
sketchbook drawing
history-painting
sketchbook art
engraving
Dimensions height 203 mm, width 248 mm
Curator: This engraving, "Noah Entering the Ark with His Family and the Animals," likely made between 1558 and 1643, after Cornelis Cort, plunges us into a visually arresting moment from Genesis. The sheer number of figures is astounding, and the stark contrast creates an almost theatrical mood. What strikes you most about this work? Editor: It’s definitely busy! But what gets me is how the artist crams so much symbolism and detail into this small print. Where do we even begin to unpack its meaning? Curator: Let's consider its socio-historical context. Think about the 16th and 17th centuries. How might this imagery, steeped in religious narrative, speak to contemporary anxieties and power dynamics? Who might have been the audience? Editor: Well, I imagine religion was super important. Was this like, a visual sermon back then? Were they trying to make a point about faith or obedience? Curator: Precisely. And perhaps even touching on issues of divine justice and human corruption, anxieties around natural disaster... consider the ever-present themes of survival and starting anew, potent narratives when society felt precarious, especially regarding the concept of moral responsibility within communities, wouldn't you say? Editor: Definitely! The overflowing ark almost feels like a critique of excess, or a yearning for purity. Like, what are we supposed to take away about gender in the group of Noah and his wife. Why are there only the men doing labour, like the animals. Is this a time period where gender roles were also questioned? Curator: That's a powerful interpretation! Think about how artistic representations of Biblical stories are inherently products of their time. And the deliberate contrast between Noah’s family and the chaotic menagerie outside. What statements might it be making about hierarchies – not just human and animal, but social and even racial? Editor: Wow, I hadn't considered it that way. It makes you wonder about who got left outside the ark, both literally and figuratively. Thanks! Curator: Exactly! That’s the power of art—it provides a mirror to society and a window into its soul.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.