Zittende figuur en een hoofd met helm by George Hendrik Breitner

Zittende figuur en een hoofd met helm 1880 - 1882

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drawing, paper, graphite

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portrait

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drawing

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impressionism

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paper

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line

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graphite

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profile

Curator: Immediately striking! There’s something raw, almost anxious about these lines. What are your first thoughts? Editor: It’s called "Zittende figuur en een hoofd met helm," which translates to “Seated Figure and a Head with Helmet,” a graphite drawing on paper by George Hendrik Breitner, made around 1880 to 1882. He was part of the Amsterdam Impressionism movement. Curator: The helmet immediately places this in some kind of… militaristic or perhaps theatrical context. Is this referencing a specific historical moment or figure? It gives a strange sensation to see its profile sketched so economically. Editor: It is possible that this drawing references a member of the Cuirassiers. I do not believe that it reflects anything from theater but the subject rather appears to reflect that from militarism. Curator: So the Cuirassiers were heavily armored cavalry. That certainly adds to the imposing air, doesn’t it? Armor signifies so much. It speaks to both protection and aggression, almost like a second skin forged by societal conflict. The sketch format strips that down to just a visual reminder though; very ghost-like and unfinished. Editor: Precisely! This piece, housed here at the Rijksmuseum, gives a glimpse into Breitner's process, I imagine, a study of form and identity within the military structure of the era. But even in its rough form, you see hints of the social function and perception of authority in art during a pivotal period. Curator: And look at the way the figure is seated! There’s a real weight, but also a kind of resignation or pensiveness, as if burdened by the very symbols he wears. This could well be less about military pomp than the psychological weight of that position. Editor: Well, it’s drawings like these that pull us beyond the finished canvas. A social register as revealed through a set of lines on a sketch. What did he mean by this portrait? A question to ponder in the archives for years to come. Curator: Indeed. An intriguing question to leave our visitors with. Thanks for guiding us on this.

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