Friedrich Schmidt, Der Erstplaner Des Lienzer Pfarrturms 1891

Albin Egger-Lienz created "Friedrich Schmidt, Der Erstplaner Des Lienzer Pfarrturms" with an impressive display of pencil drawing expertise. The artwork is dominated by the portrait of a man, his long beard and hat immediately capturing our attention. The composition relies heavily on tonal contrast, using light and shadow to define the form and volume of the figure. Notice the deliberate hatching that builds up the darker areas around the face and hat, creating a sense of depth. The texture of the paper itself adds another layer of complexity. Egger-Lienz engages with the tradition of portraiture, yet his focus on the structural elements of line and tone pushes beyond mere representation. The portrait becomes a study in form, inviting us to consider how these formal elements contribute to our understanding of the subject. It is through this interplay of light, shadow, and texture that the artist constructs a compelling image. This makes us question the boundaries between representation and abstraction.