Gezicht op de Burense Poort te Tiel by Johannes Alexander Rudolf Best

Gezicht op de Burense Poort te Tiel 1807 - 1855

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print, engraving

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dutch-golden-age

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print

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old engraving style

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landscape

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romanticism

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cityscape

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engraving

Dimensions height 148 mm, width 135 mm

Curator: This serene engraving is entitled “Gezicht op de Burense Poort te Tiel” which translates to "View of the Buren Gate in Tiel," and is attributed to Johannes Alexander Rudolf Best, created sometime between 1807 and 1855. Editor: Ah, yes, I love the dreamlike quality. The entire composition breathes with quiet solitude—you can almost hear the gentle lapping of water against the stone. There's an undeniable romantic aura to this. Curator: It certainly encapsulates a Dutch Golden Age romanticism. The architecture itself speaks volumes; the sturdy gate, with its conical turret and central bell tower suggests both protection and the pulse of civic life. Editor: That turret evokes those fairytale castles, don't you think? It pulls at some deeply rooted image of a safe haven, especially combined with the lush surrounding trees. And yet, the presence of those figures by the water bring us back to daily life, a connection to tangible history. Curator: Absolutely, that push and pull is intentional, I think. The use of engraving, with its precise lines, almost lends an archaeological feel, like unearthing a memory of a simpler time, wouldn't you say? There's something iconic about gates, isn't there? They represent passage, transition. A symbol for psychological, emotional boundaries. Editor: Definitely, and water in art often represents the unconscious. With the gate acting as this firm threshold and people dipping their toes into what's beyond, there is tension in where one belongs. This is emphasized further by the trees acting almost like silent figures looming overhead. Curator: Right! Those trees almost become characters, guardians of the gate’s secrets, silent witnesses to comings and goings across all those years. In a way, the gate, water, figures, trees... these recurring elements blend, giving viewers something that seems personally familiar while still distant enough to explore imaginatively. Editor: I concur wholeheartedly. Each time I return to it, this image offers up fresh layers, a dance between past and present, personal and universal. And that little church bell tower peeking above... I do enjoy Best's work so much.

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