Two Young Girls Reading 1891

Curator: What a tender moment Renoir has captured in this 1891 oil painting, "Two Young Girls Reading." It currently resides in a private collection, making viewing it in person somewhat difficult, but its beauty resonates even through reproduction. Editor: Immediately, I see an echo of shared experience. The hats, particularly, signal a belonging to something greater, perhaps a close relationship or societal role. It evokes a certain serenity, doesn't it? The blurred background also has a distancing effect, doesn't it? Curator: Absolutely. Renoir’s Impressionistic style often depicts intimate scenes of domestic life and leisure. Remember, the late 19th century was a time when societal expectations and emerging modernities both impacted women’s roles, so this portrayal is hardly simple in its messaging. Consider the impact that increasing education opportunities for women might have at this time as well. Editor: I see it in their faces as well, not in what they're doing, but also how they are seen doing it. Note the careful observation of youthful appearance in this "portrait art" piece: the one at left looks into the distance, where there could be multiple possible readings: an awareness that someone sees her or, in parallel, an indication that their joint experience has led them each toward self-awareness and awareness of another. It hints at both introspection and shared understanding. Curator: Right. It speaks to the complex position of women at this time. We see them actively learning—presumably something society thought they ought to learn. At the same time, a degree of gentility is required in this "portrait reference" -- there must be certain approved boundaries set for learning, because this is for leisurely study, not study as rigorous thought or social challenge, for example. Editor: Precisely. Their similar attire is suggestive: is this simply a moment captured between close companions? It goes so much deeper. It serves to highlight their connection but the visual narrative does not conclude at mere likeness of garments or appearance. It indicates cultural roles they embrace, willingly or otherwise. What do you make of the red ribbon as counterpoint? Curator: Good question. Its position almost on top indicates something urgent within established structure. Not exactly a revolt, perhaps. Still, something intense under all of the trappings. Renoir definitely captured more than just a simple scene of leisure, then. Editor: I agree entirely. Now when I think about it I feel that that specific component--the urgency you have perceived there--gives a voice that may exceed even the artist's most thoughtful aim, because for the spectator a dialogue might begin across years and minds... thank you!