painting, oil-paint
precisionism
painting
oil-paint
geometric
abstraction
cityscape
modernism
Charles Demuth, sometime in the early 20th century, made this painting of a Chimney and Water Tower. Here, everything's so precise and ordered, it feels like a blueprint but then there's also this emotional undercurrent. Look at the stark contrast between the warm, almost glowing red of the chimney and the cool, reserved grays and blacks of the water tower and sky. I can just imagine Demuth, carefully mixing his colors, maybe feeling a bit like a machine himself, methodically capturing the essence of industrial America. There's a tension between flatness and depth. It’s like he’s freezing a moment in time, inviting us to contemplate the beauty but also the alienation of modern life. This resonates with other Precisionist painters, but Demuth’s got a unique way of making these geometric shapes feel almost human. It reminds us that painting isn't just about representation but about feeling, thinking, and responding to the world around us.
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