Buongiorno 

Editor: So this is "Buongiorno" by Vicente Romero, done with oil paint. The painting has such a light, airy feeling. What do you make of it? Curator: Well, isn't it a poem? A visual whisper of a perfect morning. I see the artist capturing not just a scene, but a sensation—the cool water, the gentle breeze, the silkiness of the shawl almost tickling the skin. It’s as if he's bottling up a memory. Doesn’t it make you want to dive right in? What strikes *you* most? Editor: It's the shawl, definitely. It brings this wonderful burst of energy to the whole piece, while the water itself is so still. Curator: Exactly! That shawl is almost alive, isn't it? A splash of joy, against the serene backdrop. Romero's use of light is remarkable; he creates this luminous atmosphere that practically vibrates. I always imagine what stories are hidden in the light- the untold tales of that seashore... Have you ever felt that somewhere calls you to the deep and unexplored regions of yourself? Editor: Not in that exact way, but I can feel the potential! So you see the painting as more than just an image, but a story? Curator: Oh, absolutely! For me, art is never *just* an image. It’s a portal, an invitation to daydream, to ponder, to *feel*. It shows how transient moments like this become little seeds of the inner self. "Buongiorno" encapsulates the awakening of a spirit—wouldn’t you agree? Editor: I do now. Thanks, that’s a completely new way to look at it. Curator: My pleasure! And thank you— you helped me see new glimmers in it as well!