Curator: Let’s discuss James McArdell's "Tribute Money," a print currently residing at the Harvard Art Museums. Editor: It's striking how McArdell creates such a somber atmosphere with what appears to be mezzotint. The darkness seems almost suffocating. Curator: Indeed, the story itself, about Jesus being questioned on paying taxes to Caesar, is fraught with complex power dynamics. How do you read the body language? Editor: The figures in the foreground look so tactile. You can almost feel the texture of their garments. I'm curious about the specific ink and paper used for such depth. Curator: Absolutely. McArdell, working in 18th century England, utilized this biblical scene to perhaps subtly comment on authority and resistance within his own socio-political milieu. Editor: The tension hangs heavy, doesn’t it? Considering the technical process and the context, it seems McArdell captured an important moment of resistance, or, at least, of questioning. Curator: An important observation, that brings a fresh perspective to the work. Editor: It's quite thought-provoking.
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