The Diet 

Jehan Georges Vibert painted ‘The Diet,’ an oil on canvas, sometime in the late 19th century. This was a period when social class dictated every aspect of daily life. Vibert, known for his satirical scenes of clergy, invites us into the opulent world of a cardinal, a high-ranking member of the Catholic Church, who seems to be on a diet of what looks like milk. On closer inspection, we notice the servants entering with a feast. We’re left to ponder: Is the diet genuine, or merely a performance? The cardinal, adorned in scarlet robes that signify his status, appears to be indulging in a forbidden treat, contrasting sharply with the austerity one might expect. This tension between public image and private indulgence reflects the complex relationship between the Church's teachings and the personal lives of its clergy. Vibert’s work subtly critiques the hypocrisy he observed in the Church, challenging viewers to consider the moral complexities within religious institutions. How does this portrayal speak to broader questions about accountability and the human condition?