Fuji from Susaki (Susaki no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2 Possibly 1835 - 1836

Editor: Here we have Hokusai's "Fuji from Susaki," a woodblock print from his *One Hundred Views of Mount Fuji* series. It feels so serene, yet the boat suggests human activity. What should we consider when looking at this? Curator: Well, considering Hokusai's historical context, we can ask: How did this series shape perceptions of Mount Fuji? The *ukiyo-e* tradition was already well established, how did Hokusai push against convention, or embrace it? Editor: So, it’s not just about the mountain itself, but also how Hokusai positioned it within Japanese culture? Curator: Exactly. And think about the role of printmaking in disseminating images. How did it impact national identity and tourism? Editor: I see, it's like Hokusai made Mount Fuji a cultural icon for a broader audience. Curator: Precisely. It makes you think about the power of art to shape collective memory, doesn’t it? Editor: Definitely. Thanks for highlighting that!