Ploegend paard op een heuvel by Pieter Dupont

Ploegend paard op een heuvel 1899

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print, engraving

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print

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landscape

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figuration

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genre-painting

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engraving

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realism

Dimensions: height 200 mm, width 252 mm

Copyright: Rijks Museum: Open Domain

Curator: Pieter Dupont's "Plowing Horse on a Hill," dating to 1899. What strikes you first? Editor: There's a powerful stillness despite the implied movement; it almost feels monumental, though it's a print. Curator: Precisely. Note how the composition is structured by the stark lines of the furrowed fields in contrast with the rounded forms of the horse, rendered in impressive detail for an engraving. The artist masterfully employs line weight and density to create depth and shadow, emphasizing the texture of the animal’s musculature and the earth. Editor: It’s such an archetypal image, isn't it? The horse as a symbol of labor, fertility. But it also evokes a sense of enduring strength. We've seen it forever, the beast partnered with human in transforming land. The harness almost looks more like a war regalia. Curator: True, it isn’t a glorification of agricultural labor but more an exploration of formal elements: The interaction of geometric patterns, the interplay between organic shapes, and the tonal relationships which lend the composition its depth. Consider how Dupont uses contrasting textures, rough versus smooth. Editor: But the symbolic is undeniable. Even in the rendering, the horse looks bowed, fatigued from repetition. It's caught between tradition and modernity, agriculture facing increasing industrialisation. Curator: Perhaps, but one might also observe how the structure itself evokes tradition. Through careful consideration of lines and forms Dupont crafted a study that goes far beyond mere social commentary. Editor: Fair point, focusing too much on my impressions blinds one to a lot, doesn't it? Curator: It's important, though, to be able to meet people halfway; otherwise we risk speaking at crossed purposes when experiencing an object that's centuries old! Editor: I walk away from Dupont's print feeling both a renewed reverence for rural life while also carrying greater consideration for artistry itself. Curator: Well stated. Perhaps art appreciation lies at the crossroads where symbolism meets structured beauty.

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